Security vs. theater: the importance of understanding the difference

CNN recently published a commentary by Bruce Schneier that calls into question many of the “security” measures being put into place, in the name of stopping terrorism.

This quote sets the tone for the entire piece, and I think it is something that a lot of people tend to forget, quickly:

Terrorism is rare, far rarer than many people think. It’s rare because very few people want to commit acts of terrorism, and executing a terrorist plot is much harder than television makes it appear.

I have to wonder if we just have too much of this kind of fantasy crime and terrorism on TV and if we’re at the point where it is distorting people’s perception of reality. To put another big wrinkle into things, there’s a whole genre called “reality television” which to be honest, is badly named, and I would even say deceptively misnamed given some of the things that are tagged with that label.

Anyway, Bruce goes on to discuss “movie-plot threats” and “security theater” at length. I won’t quote most of it (don’t want to step outside the boundaries of “fair use”). But he does decry the photo ID checks, the stationing of National Guard troops after the September 11th attacks, and yes, even harassment of photographers as “security theater.”

Particularly the last of these is the most egregious example of “security theater” as the last thing a potential terrorist would do is draw attention to oneself by sporting a DSLR, particularly with, say, a 70-300mm zoom lens. A point-and-shoot of the type commonly available in the US for under $150 is a more likely choice for a terrorist wanting to do clandestine reconnaissance, as a tourist is much more likely to carry this type of camera. Not that it should even matter, of course.

Bruce touches on a great point here:

If we spend billions defending our rail systems, and the terrorists bomb a shopping mall instead, we’ve wasted our money. If we concentrate airport security on screening shoes and confiscating liquids, and the terrorists hide explosives in their brassieres and use solids, we’ve wasted our money. Terrorists don’t care what they blow up and it shouldn’t be our goal merely to force the terrorists to make a minor change in their tactics or targets.

While understandable just to quash the fear of the masses, I have to wonder just what, in the end, the post-September 11th security measures really accomplished. The terrorists are unlikely to attack civilian air travel twice in such a fashion.

Bruce doesn’t go into detail on this, so I’ll say it here: the goal of terrorism is fear and the disruption of normal everyday life. The terrorists, strictly speaking, don’t even have to blow something up to accomplish that, sometimes an obviously planted hoax bomb will do the trick as well: throw some wires together with a cheap timer (or alarm clock) and something that looks like it might be some kind of explosive, and put it in an obvious location that’s still somewhat concealed.

Most damning is Bruce’s blistering attack on the military tribunals:

We should treat terrorists like common criminals and give them all the benefits of true and open justice — not merely because it demonstrates our indomitability, but because it makes us all safer.

Once a society starts circumventing its own laws, the risks to its future stability are much greater than terrorism.

And this is something we should do today. We, as a society, should stick to our own laws, and give those charged with a crime the same rights, whether accused of “terrorism” or petty theft: the right to an attorney, the right not to incriminate oneself, etc.

Finally, this last quote from Bruce echoes my thoughts on the matter almost word for word:

Despite fearful rhetoric to the contrary, terrorism is not a transcendent threat. A terrorist attack cannot possibly destroy a country’s way of life; it’s only our reaction to that attack that can do that kind of damage. The more we undermine our own laws, the more we convert our buildings into fortresses, the more we reduce the freedoms and liberties at the foundation of our societies, the more we’re doing the terrorists’ job for them.

The anti-terrorism measures are more disruptive to our daily lives than any terrorist attack ever have been. It’s time we start lowering the curtain on “security theater” once and for all.

Maybe we need “rated P for pot”

I’m kidding, of course, but it’s tempting to suggest just that.

The New York Times reports on what many see as an unfortunate move by the MPAA Ratings Board regarding the rating of the movie “It’s Complicated.” The film is rated R, not for violence, sex, or one too many of the nastier swear words. No, it’s rated R for a scene involving marijuana use.

Quoting the story:

This is an absurd ruling rooted in old cultural thinking,” said Allen St. Pierre, executive director of the National Organization for the Reform of Marijuana Laws. Universal and Mr. Martin unsuccessfully appealed, seeking a PG-13 rating.

A PG-13 rating is not out of line, especially if history is any guide:

Figuring prominently in the brouhaha are other depictions of marijuana in cinema, particularly the scene in the 1980 comedy “9 to 5” showing Dolly Parton, Jane Fonda and Lily Tomlin getting high and raiding the refrigerator. Its rating was PG.

Everyone about my age remembers at least hearing about “9 to 5.” I will admit I’ve never seen it all the way through. If a movie with pot use was only worth a PG in 1980, why would should a movie get branded with an R rating for the same reason here in 2009?

(Note that there was no PG-13 rating yet at the time of release of “9 to 5.” That was added in the summer of 1984. Under today’s MPAA rating system, “9 to 5” would most likely get a PG-13 instead of a PG, all other things being equal.)

The MPAA needs to get real and be consistent. We are much closer to the legalization of marijuana today than we ever were in 1980. Branding a movie with an R rating needs to be taken seriously, and not done as a purely political move, which is what appears to be the case here. These ratings decisions effectively decide box office returns, whether the MPAA intended this to ever be the case or not.

If you don’t believe me, remember “Kids?” That had to be released unrated, because most theaters would not show an NC-17 film. It turned a profit, but probably would not have were it released with its original NC-17 rating. Even then, Disney’s policy (the corporate parent of Miramax, which bought the distribution rights) was to forbid the release of NC-17 rated movies, forcing the creation of a one-off company to get the film distributed.

While technically optional, there is only one realistic alternative to the MPAA’s rating system, that being the Film Advisory Board, and that one is of dubious utility outside of direct-to-video releases. So in effect, the MPAA’s rating system is a de facto monopoly. The MPAA has the power to brand a movie with an R or NC-17 rating and cost the producers seven- to eight-figure sums. This is almost as bad as the Hays Code (Motion Picture Production Code), in essence. In effect, since most cinema owners and movie rental shops and technically even the likes of Redbox enforce the MPAA ratings, in effect the ratings system is a slightly watered-down version of the Hays Code, where instead of “unapproved” we have “NC-17.”

The beginnings of The Big Move

A little change in plans for The Big Move: the new design for what is now Rant Roulette isn’t ready yet. But, I finally got tired of waiting for myself to get in a designing mood, and moved it anyway.

The redesign will probably launch soon. I am shooting for, at the absolute latest, sometime in 2010 January. It’s a question of when I’m ready to get into a designing mood and put something together with one of the logos I’ve already made. I will probably be working on the new shawnkquinn.com first, however; right now that entire domain just redirects over here. That will change, soon, to just the old URLs redirecting here, and the main page going through to the still-under-construction portal based on Drupal 6. I already have working RSS pullers for all three blogs and a cron job running on my PC here to work around the lack of cron on my Web host (an annoyance that should be resolved soon).

You’ll see a few more posts here now that this blog is its own entity, and not the nominal flagship of my personal brand (yes, it did make certain types of posts a bit more awkward than I’d prefer). I’ll go into detail about what the future brings as we get closer to the end of 2009 (it will probably be a scheduled post for New Year’s Eve around noon that will be written out ahead of time).

About the only thing that I have not successfully taken care of is the URL on NetworkedBlogs and other similar sites. I need a few people to vouch for the fact that someone’s not playing shenanigans on me, that yes, the move is legitimate. I’m going around to all the other sites, one by one, as time allows to see exactly what I need to do. It’s not that much different than when someone goes from a wordpress.com or blogspot.com address to their own domain, with the exception being I already had my own domain that needed to be repurposed.

Photojournalism mistaken for terrorism, yet again

I rarely blog from a press release like this one but the subject matter is too important to quietly let go and it’s no stranger to regular readers of my blog.

A Bindmans press release details the plight of Ms. Jess Hurd, a photojournalist in the UK; it does not say what city she calls home, though this incident occurred in London.

According to the press release, Jess was covering a wedding in the London Docklands area when officers questioned her as to what she was doing. Even after offering her press card to confirm she was a legitimate journalist, Jess saw no immediate relief from the harassment.

As part of their interrogation, the officers viewed all of Jess’s footage and she was in fear that the officers might even decide to erase (“wipe” in British English) all of it. And I might add, quite rightfully so; even though even in the UK the officers do not have the authority to do this, this has happened elsewhere, particularly in parts of the US, and the UK’s “counterterrorism” laws are draconian by comparison.

In fact, Jess was told she would not be able to use some of her footage (perhaps even all of it) due to a copyright claim by either the officer individually or by the Metropolitan Police press office. This has to be one of the most ludicrous things I have ever run across, even by UK standards. (For the new people, I’m no huge fan of the UK government, and the archives on past rants of UK government misdeeds demonstrate that quite well.)

As for the resolution, I quote part of the press release, dealing with the remedies sought, and a quote from the National Union of Journalists legal officer who has some choice words about the officers involved:

What Ms Hurd seeks

Ms Hurd is seeking a full apology, confirmation that the officers involved have received training in relation to the appropriate use of S44 of the Terrorism Act and the responsibilities set out in the Association of Chief Police Officers (‘ACPO’) Police Media Guidelines (‘the Guidelines’), which are in force nationally, as well as any other measures considered appropriate given the many breaches of the Standards of Professional Behaviour, The Police (Conduct) Regulations 2008 arising from the treatment she has received.

Ms Hurd’s lawyer, instructed by the NUJ, Ms Chez Cotton, Head of the Police Misconduct Department at leading London law firm Bindmans LLP said:

“The police appear to have been interested in Ms Hurd only because she was filming and used S44 of the Terrorism Act where suspicion is not necessary to stop and search her, in full knowledge that she was a photojournalist. Ms Hurd had voluntarily explained her presence and provided identification that only accredited members of the press carry, which it is agreed that police forces nationally will recognise. Despite this, her footage was viewed for the most spurious of reasons and counter to basic principles of a free press. A Joint Committee for Human Rights report of July 2009 stated, ‘…we deplore the obvious overuse of Section 44 of the Terrorism Act 2000 in recent years’. The treatment of Ms Hurd is a stark example of such misuse of S44 and made all the more serious because officers were fully aware of the status of Ms Hurd as an accredited photojournalist professionally engaged at the time of the use of the controversial provision.”

NUJ Legal Officer, Roy Mincoff said:

“It appears that for no good reason Jess Hurd was treated, and continued to be treated, as if she were a suspected terrorist. The NUJ considers The Police’s apparent failure to recognise the PressCard, and ignorance of ACPO Guidelines and lack of knowledge of the law to be unacceptable. We welcome more recent ACPO advice as to the role of the media and how legislation should be applied, and Ministerial assurances that anti-terrorism legislation must only be used for that purpose, given after considerable and continuous efforts by the NUJ to achieve that progress.

Now these issues must be addressed in practice by the Police.

We will be keeping very close sight of this and take such action as necessary should further breaches occur.”

I couldn’t have said it better myself. This is a flagrant mockery of justice and fairness. I have said this before, but I’ll say it again: a terrorist will not use the same types of video or photo gear that a professional journalist would use. A point-and-shoot similar to my Nikon Coolpix L18 (which is maybe a tad bigger than my wallet) would definitely get “surveillance quality” pictures and draw less attention than even an entry-level DSLR. Heck, the Coolpix L18 and most similar compact cameras technically do video as well (that’s not their primarily designed purpose of course, but the feature is present).