Meta: Upgrade to 2.8, new theme

I usually do not post about changes like this; maybe I should make a habit of doing so. I just upgraded to WordPress 2.8 and switched themes to Inanis Glass.

The reason for the theme switch is that the previous theme completely blew up after the upgrade to 2.8. In particular the recent comments widget was mostly unreadable, and the calendar layout went completely kaplooey to the point of being unusable.

I’m not sure I’ll keep this theme, but I figure most of the serious readers are probably using some form of RSS for the reading and only coming to the site for the occasional comment or three. If enough people hate it, I can switch to something else yet again.

Twitter co-founder’s interesting viewpoint in CNET interview

I stumbled across a recent CNET article featuring Jack Dorsey where he raises some interesting viewpoints on the Twitter service and its future. In particular, there are two good quotes:

“I think Twitter’s a success for us when people stop talking about it, when we stop doing these panels and people just use it as a utility, use it like electricity,” said Dorsey, who was on a “Future of Media” panel here Wednesday as part of Internet Week New York.

“We took VC money so that we can be patient in that endeavor, and we’re going to be patient, we’re going to do it right,” [Dorsey] insisted. “We’re not going to put something on top of it that doesn’t fit.”

Apple sets a new low in hypocrisy

Just when you think you’ve seen everything:
a recent Mashable article describes a rejection of the EFF’s iPhone application (the EFF’s own article is also available). EFF’s transgression was to include a YouTube video containing a certain profane word (hint: you can only say it once in a PG-13 movie) in its subtitles. The problem here is that this same YouTube video is accessible via the iPhone’s YouTube application, among with others that probably would have made the late George Carlin blush.

This is not the only example of Apple blundering with an iPhone application rejection. There are also the Baby Shaker blunder (article on telegraph.co.uk), the initial rejection of the Nine Inch Nails application (forum post on nin.com), and the rejection of a Project Gutenberg e-reader (article on boingboing.net). Examples abound, but the underlying theme here is that Apple feels the overwhelming need to play nanny and censor everything in its iPhone app store.

Apple should realize this is unsustainable. The sooner someone releases an “iPhone-like” phone that is not subject to Apple’s nannying, censorious whims, the better. Bonus points if it can run iPhone applications as-is.

What was Tweetdeck thinking?

A recent Techcrunch article absolutely stunned me. The developers of Tweetdeck are doing something I find absolutely disgraceful: charging services to appear in their proprietary Twitter client, to the tune of $50,000 or so.

Charging for ad banner space is one thing. What Tweetdeck is doing is exactly a reason I use primarily free software (free as in freedom, as defined by the FSF and Richard Stallman): it is nothing short of an overt exploitation of the power a programmer has over the users. I would go as far as to say it is an implicit violation of the trust users (people like you) place in the people writing the software the users plan to use.

Worse, this is far, far more insidious than a breach of trust committed by a programmer writing a virus, worm, or trojan masquerading as a legitimate application. This is the programmer– or the programmer’s boss– playing deity here, deciding what services are included with a program on a basis most arbitrary to the users.

At the very least, I think honest developers adopting such a scheme should tell their users who paid to be included, and about how much. Ideally, they would make a full disclosure of those who did not meet the criteria for inclusion.

Just so we’re clear, in the case of Tweetdeck,  I’m not holding my breath.

Who really owns purchased media files with DRM?

While I do realize this is a little old, it’s a topic that’s also not likely to go away any time soon. Earlier this month both Electronista and BoingBoing reported on the remote disabling of text-to-speech for Amazon Kindle e-books. The Authors Guild is claiming that text-to-speech is an unauthorized audiobook performance and is thus subject to this particular facet of copyright restriction.

But, in particular, the Electronista article linked above mentions some interesting questions asked of Amazon. I quote part of the article here:

I’m specifically interested because Amazon has announced a “DRM-free” version of the Kindle format and I’d love to sell my books on the platform if it’s really DRM-free. To that end, I’ve put three questions to Amazon:

1. Is there anything in the Kindle EULA that prohibits moving your purchased DRM-free Kindle files to a competing device?

2. Is there anything in the Kindle file-format (such as a patent or trade-secret) that would make it illegal to produce a Kindle format-reader or converter for a competing device?

3. What flags are in the DRM-free Kindle format, and can a DRM-free Kindle file have its features revoked after you purchase it?

An honest company would answer “no” to the first two and the second part of the third. I really would like to trust Amazon here. However, this is the same Amazon that has arbitrarily locked accounts for “excessive” returns, while intentionally not defining “excessive.” Another Electronista article tells the woes of someone who just wanted products that worked. Not entirely unreasonable for a consumer to want, in my opinion.

I am still awaiting an e-book reader that does not support DRM at all, only unencumbered formats like PDF and DejaVu. This is a product I would not mind buying. The music industry learned DRM doesn’t work, the TV and movie industry is assumably not far behind. Why do book authors insist upon trying to hang onto it?